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	<title>Thistlethwaite Americana &#187; Thistlethwaite Americana |  &#187; Products</title>
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	<description>American Antiques</description>
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	<item>
		<title>The Hunting Camp by Fredrick Wagener</title>
		<link>https://thistleamericana.com/inventory/paintings/the-hunting-camp-by-fredrick-wagener/</link>
		<comments>https://thistleamericana.com/inventory/paintings/the-hunting-camp-by-fredrick-wagener/#comments</comments>
		<pubDate>Thu, 12 Dec 2024 21:41:44 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=19441</guid>
		<description><![CDATA[By Fredrick Wagener (1890-1962)

Active in Pittsburg, Pennsylvania

Oil on Canvas

Dated 1951

24 1/2" H x 34 1/2" W framed

&#160;

Fredrick Wagener (1890-1962) was a folk artist who work around the Pittsburg area. His work often features element of nature co existing with mankind. This piece depicts a pair of hunters lounging around a wooded landscape while deer curiously investigate the hunters, and a young man is securing a canoe. Wageners self-taught approach to this charming scene really conveys an innocence of man and nature.

&#160;

$1800]]></description>
				<content:encoded><![CDATA[By Fredrick Wagener (1890-1962)

Active in Pittsburg, Pennsylvania

Oil on Canvas

Dated 1951

24 1/2" H x 34 1/2" W framed

&#160;

Fredrick Wagener (1890-1962) was a folk artist who work around the Pittsburg area. His work often features element of nature co existing with mankind. This piece depicts a pair of hunters lounging around a wooded landscape while deer curiously investigate the hunters, and a young man is securing a canoe. Wageners self-taught approach to this charming scene really conveys an innocence of man and nature.

&#160;

$1800]]></content:encoded>
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		</item>
		<item>
		<title>The Maiden and the Stag by Fredrick Wagener</title>
		<link>https://thistleamericana.com/inventory/paintings/the-maiden-and-the-stag/</link>
		<comments>https://thistleamericana.com/inventory/paintings/the-maiden-and-the-stag/#comments</comments>
		<pubDate>Fri, 13 Dec 2024 17:51:00 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=19445</guid>
		<description><![CDATA[By Fredrick Wagener (1890-1962)

Active in Pittsburg, Pennsylvania

Oil on Canvas

Mid 20th century

20″ H x 30″ W

&#160;

Fredrick Wagener (1890-1962) was a folk artist who work around the Pittsburg area. His work often features element of nature co existing with mankind. This picture depicts a young maiden feeding a stag next to her canoe downstream from a mill. Wageners self-taught approach to this charming scene really conveys an innocence of man and nature.

&#160;

$1400]]></description>
				<content:encoded><![CDATA[By Fredrick Wagener (1890-1962)

Active in Pittsburg, Pennsylvania

Oil on Canvas

Mid 20th century

20″ H x 30″ W

&#160;

Fredrick Wagener (1890-1962) was a folk artist who work around the Pittsburg area. His work often features element of nature co existing with mankind. This picture depicts a young maiden feeding a stag next to her canoe downstream from a mill. Wageners self-taught approach to this charming scene really conveys an innocence of man and nature.

&#160;

$1400]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Rare Presidential Engraving of Thomas Jefferson</title>
		<link>https://thistleamericana.com/inventory/paintings/rare-presidential-engraving-of-thomas-jefferson/</link>
		<comments>https://thistleamericana.com/inventory/paintings/rare-presidential-engraving-of-thomas-jefferson/#comments</comments>
		<pubDate>Wed, 19 Apr 2023 19:12:05 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=19176</guid>
		<description><![CDATA[Engraved by Cornelius Tiebout after Rembrandt Peale Portrait

Published by Mathew Carey

Philadelphia, Pennsylvania

Stipple Engraving on Paper

Dated 1801

21.5” x 17.5”

&#160;

One of the first published engravings of Thomas Jefferson as president of the United States.  This image was engraved by Cornelious Tiebout (1760-1830) after the famous Rembrandt Peale portrait. The engraving was published in Philadelphia by Mathew Carey in 1801, the year after Jefferson was elected to office. The image is boldly states Thomas Jefferson, President of the United States with lines from the Declaration of Independence below.

&#160;]]></description>
				<content:encoded><![CDATA[Engraved by Cornelius Tiebout after Rembrandt Peale Portrait

Published by Mathew Carey

Philadelphia, Pennsylvania

Stipple Engraving on Paper

Dated 1801

21.5” x 17.5”

&#160;

One of the first published engravings of Thomas Jefferson as president of the United States.  This image was engraved by Cornelious Tiebout (1760-1830) after the famous Rembrandt Peale portrait. The engraving was published in Philadelphia by Mathew Carey in 1801, the year after Jefferson was elected to office. The image is boldly states Thomas Jefferson, President of the United States with lines from the Declaration of Independence below.

&#160;]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Celebration of Lafayette&#8217;s Return To Alexandria, VA</title>
		<link>https://thistleamericana.com/inventory/paintings/celebration-of-lafayettes-return-to-alexandria-va/</link>
		<comments>https://thistleamericana.com/inventory/paintings/celebration-of-lafayettes-return-to-alexandria-va/#comments</comments>
		<pubDate>Tue, 13 Jun 2023 19:57:07 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=19171</guid>
		<description><![CDATA[American, possibly New York

Watercolor on Paper

Circa 1920

&#160;

When the Marquis de Lafayette returned to America in 1824, he was celebrated as a national hero and went on tour all over the United States. While in Alexandria, Virginia, he stayed in a house on the corner of Duke and St. Asaph St. This watercolor depicts Lafayette arriving at the home. The crowd and the background are slightly fictitious as buck skins would not have been appropriate attire in Alexandria during this period. The home where Lafayette stayed still stands today and is easily identifiable by its front facade as shown in the watercolor.  Lafayette was supposed to address the citizen on the steps of the house, however, due to his height, he was too short to be seen; so he crossed the street and addressed the city on the steps of the Delaney House.

&#160;

Price: $3800]]></description>
				<content:encoded><![CDATA[American, possibly New York

Watercolor on Paper

Circa 1920

&#160;

When the Marquis de Lafayette returned to America in 1824, he was celebrated as a national hero and went on tour all over the United States. While in Alexandria, Virginia, he stayed in a house on the corner of Duke and St. Asaph St. This watercolor depicts Lafayette arriving at the home. The crowd and the background are slightly fictitious as buck skins would not have been appropriate attire in Alexandria during this period. The home where Lafayette stayed still stands today and is easily identifiable by its front facade as shown in the watercolor.  Lafayette was supposed to address the citizen on the steps of the house, however, due to his height, he was too short to be seen; so he crossed the street and addressed the city on the steps of the Delaney House.

&#160;

Price: $3800]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Black Stallion by John McAuliffe</title>
		<link>https://thistleamericana.com/inventory/paintings/black-stallion/</link>
		<comments>https://thistleamericana.com/inventory/paintings/black-stallion/#comments</comments>
		<pubDate>Mon, 10 Apr 2023 19:05:16 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=19011</guid>
		<description><![CDATA[<div class="page" title="Page 4">
<div class="section">
<div class="layoutArea">
<div class="column">

John McAuliffe (1830-1900)

New York

Circa 1875

Oil on Canvas

&#160;

This painting features a black stallion front and center in the foreground with a mare and foal in the background. Further in the background is a landscape of a city. This painting is a quintessential McAuliffe who was a well-known horse painter

</div>
</div>
</div>
</div>
&#160;

Artist bio:

John McAuliffe, born in Ireland, emigrated to the United States in 1847. He was originally a house painter, but, as he had a natural gift for drawing and painting horses, he soon took to that as a business.  He painted extensively for the later Robert Bonner, Commodore Dickinson, Col. Kipp, Sheppard Knapp, Gabe Case, and Mesrs. Wakeman, Hammond, and others.]]></description>
				<content:encoded><![CDATA[<div class="page" title="Page 4">
<div class="section">
<div class="layoutArea">
<div class="column">

John McAuliffe (1830-1900)

New York

Circa 1875

Oil on Canvas

&#160;

This painting features a black stallion front and center in the foreground with a mare and foal in the background. Further in the background is a landscape of a city. This painting is a quintessential McAuliffe who was a well-known horse painter

</div>
</div>
</div>
</div>
&#160;

Artist bio:

John McAuliffe, born in Ireland, emigrated to the United States in 1847. He was originally a house painter, but, as he had a natural gift for drawing and painting horses, he soon took to that as a business.  He painted extensively for the later Robert Bonner, Commodore Dickinson, Col. Kipp, Sheppard Knapp, Gabe Case, and Mesrs. Wakeman, Hammond, and others.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Colonial Revival Screen</title>
		<link>https://thistleamericana.com/inventory/paintings/colonial-revival-screen/</link>
		<comments>https://thistleamericana.com/inventory/paintings/colonial-revival-screen/#comments</comments>
		<pubDate>Tue, 08 Mar 2022 18:16:51 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=18673</guid>
		<description><![CDATA[By Allen Russell Saalburg

American

Circa 1920

Oil on Canvas

66" H x 72" W

&#160;

During the 1920s there was a desire to capture an idealized past. This screen does exactly that. From the large colonial mansion estate to the children playing in the garden that is filled with statues, this unusual screen with architectural elements is certainly a rare find.

&#160;

Artist bio:

Allen Saalburg was born June 25, 1899, in Rochelle, Illinois.  Charles Saalburg, his father, a newspaper cartoonist, and printer moved the family to New York when he obtained a patent for early four-color printing, first used to print the cartoon strip <i>The Yellow Kid</i>.

&#160;

Allen Saalburg studied painting at Pratt Institute, and with William Sloan at the Art Students League, 1918-1920. In 1927, he joined his brother, Leslie, an illustrator, in Paris for three years.  He exhibited paintings at Bernheim-Jeune, the Right Bank gallery known for its adventurous displays of early modern art.

&#160;

Saalburg's paintings were exhibited in a one-man show in November 1929, some months after fellow American Gerald Murphy's larger exhibition.  The exhibit alluded playfully to American historical subjects, such as the tobacco trade.  He returned to New York in 1930, where he rejoined a largely literary circle that included Dorothy Parker, S.J. Perelman, Robert Benchley, and Marc Connelly.

&#160;

In 1937, Connelly asked Saalburg to art direct the Hollywood movie of his Pulitzer Prize-winning play, <i>The Green Pastures</i>, with its pioneering all-black cast; Saalburg's backdrop paintings were acquired by Gertrude Whitney for the Whitney Museum.  He also designed sets for Enig Bagnold's <i>Two Bouquets on Broadway</i>. He showed paintings at the Kraushaar Gallery and the Whitney Museum (1938).

&#160;

He continued to paint murals for private and institutional clients, and he began painting covers and interior illustrations for <i>Fortune, Vogue, Vanity Fair, </i>the <i>Saturday Evening Post</i>, and other publications.  In 1935, Juliana Force, the director of the Whitney Museum and organizer of the first Federal Art Program in New York, introduced Saalburg's work to the Parks Commissioner, Robert Moses, who put him in charge of the WPA mural projects for the entire parks department.

&#160;

Projects included the Old Stone House at Gowanus in Brooklyn, the Arsenal in Central Park (where Moses had his office), the bar room of the newly created Tavern on the Green, and the terrace restaurant at the zoo.  In the mid-1930s, he entered into a partnership to produce murals with Louis Bouche and Everett Henry, then the only such firm in the U.S.

&#160;

Among their projects were twelve murals for the cocktail lounge cars of the ultramodern trains commissioned from industrial designer Raymond Loewy by the Pennsylvania Railroad, the original gourmet shop at Bloomingdale's, and a mural with eighteen interior panels for the Home Building Pavilion at the 1939 New York World's Fair.

&#160;

Saalburg joined his friends S.J. Perelman, Dorothy Parker, photographer Louise Dahl-Wolfe, the painter Henry Schnakenberg, and many others in moving to Bucks County, Pennsylvania.

&#160;

At the first part of a weekend colony, he moved to Uhlerstown in 1947 and opened his studio, the Canal Press, in nearby Frenchtown, New Jersey.  He continued to paint while experimenting with the silk-screen process; his prints on glass and paper were sold principally through the New York Graphic Society during the 1950s and '60s.

&#160;

Mural projects from this period included screen-printing the Clairol Pavilion for the 1964 World's Fair in New York, an entirely glass building.  Saalburg continued to show new paintings and limited edition screenprints in one-man shows at the Bodley Gallery in New York and in the Bucks County area until the early 1980s.

&#160;

Saalburg was married to and divorced from costume/fashion designer Muriel King, and the painter Mary Faulconer.  He died July 17, 1987.

&#160;

Collections: The U.S. Air Force Historical Art Collection, Washington D.C.; The Whitney Museum, Juliana Force Collection; the Philadelphia Museum of Art; the Bucks County Historical Society, Doylestown, PA.

&#160;

Written and submitted January 2003 by Prudence Crowther, <i>Business Week</i>, New York City.

&#160;

WHAT WE LOVE ABOUT IT: The imagery of the colonial mansion is very reminiscent of the early scenes of Gone with the Wind. It takes us back in time through the vivid colors and whimsical scenes.]]></description>
				<content:encoded><![CDATA[By Allen Russell Saalburg

American

Circa 1920

Oil on Canvas

66" H x 72" W

&#160;

During the 1920s there was a desire to capture an idealized past. This screen does exactly that. From the large colonial mansion estate to the children playing in the garden that is filled with statues, this unusual screen with architectural elements is certainly a rare find.

&#160;

Artist bio:

Allen Saalburg was born June 25, 1899, in Rochelle, Illinois.  Charles Saalburg, his father, a newspaper cartoonist, and printer moved the family to New York when he obtained a patent for early four-color printing, first used to print the cartoon strip <i>The Yellow Kid</i>.

&#160;

Allen Saalburg studied painting at Pratt Institute, and with William Sloan at the Art Students League, 1918-1920. In 1927, he joined his brother, Leslie, an illustrator, in Paris for three years.  He exhibited paintings at Bernheim-Jeune, the Right Bank gallery known for its adventurous displays of early modern art.

&#160;

Saalburg's paintings were exhibited in a one-man show in November 1929, some months after fellow American Gerald Murphy's larger exhibition.  The exhibit alluded playfully to American historical subjects, such as the tobacco trade.  He returned to New York in 1930, where he rejoined a largely literary circle that included Dorothy Parker, S.J. Perelman, Robert Benchley, and Marc Connelly.

&#160;

In 1937, Connelly asked Saalburg to art direct the Hollywood movie of his Pulitzer Prize-winning play, <i>The Green Pastures</i>, with its pioneering all-black cast; Saalburg's backdrop paintings were acquired by Gertrude Whitney for the Whitney Museum.  He also designed sets for Enig Bagnold's <i>Two Bouquets on Broadway</i>. He showed paintings at the Kraushaar Gallery and the Whitney Museum (1938).

&#160;

He continued to paint murals for private and institutional clients, and he began painting covers and interior illustrations for <i>Fortune, Vogue, Vanity Fair, </i>the <i>Saturday Evening Post</i>, and other publications.  In 1935, Juliana Force, the director of the Whitney Museum and organizer of the first Federal Art Program in New York, introduced Saalburg's work to the Parks Commissioner, Robert Moses, who put him in charge of the WPA mural projects for the entire parks department.

&#160;

Projects included the Old Stone House at Gowanus in Brooklyn, the Arsenal in Central Park (where Moses had his office), the bar room of the newly created Tavern on the Green, and the terrace restaurant at the zoo.  In the mid-1930s, he entered into a partnership to produce murals with Louis Bouche and Everett Henry, then the only such firm in the U.S.

&#160;

Among their projects were twelve murals for the cocktail lounge cars of the ultramodern trains commissioned from industrial designer Raymond Loewy by the Pennsylvania Railroad, the original gourmet shop at Bloomingdale's, and a mural with eighteen interior panels for the Home Building Pavilion at the 1939 New York World's Fair.

&#160;

Saalburg joined his friends S.J. Perelman, Dorothy Parker, photographer Louise Dahl-Wolfe, the painter Henry Schnakenberg, and many others in moving to Bucks County, Pennsylvania.

&#160;

At the first part of a weekend colony, he moved to Uhlerstown in 1947 and opened his studio, the Canal Press, in nearby Frenchtown, New Jersey.  He continued to paint while experimenting with the silk-screen process; his prints on glass and paper were sold principally through the New York Graphic Society during the 1950s and '60s.

&#160;

Mural projects from this period included screen-printing the Clairol Pavilion for the 1964 World's Fair in New York, an entirely glass building.  Saalburg continued to show new paintings and limited edition screenprints in one-man shows at the Bodley Gallery in New York and in the Bucks County area until the early 1980s.

&#160;

Saalburg was married to and divorced from costume/fashion designer Muriel King, and the painter Mary Faulconer.  He died July 17, 1987.

&#160;

Collections: The U.S. Air Force Historical Art Collection, Washington D.C.; The Whitney Museum, Juliana Force Collection; the Philadelphia Museum of Art; the Bucks County Historical Society, Doylestown, PA.

&#160;

Written and submitted January 2003 by Prudence Crowther, <i>Business Week</i>, New York City.

&#160;

WHAT WE LOVE ABOUT IT: The imagery of the colonial mansion is very reminiscent of the early scenes of Gone with the Wind. It takes us back in time through the vivid colors and whimsical scenes.]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Portrait of Henry Clay</title>
		<link>https://thistleamericana.com/inventory/paintings/portrait-of-henry-clay-2/</link>
		<comments>https://thistleamericana.com/inventory/paintings/portrait-of-henry-clay-2/#comments</comments>
		<pubDate>Sat, 01 Jul 2023 15:24:24 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=19228</guid>
		<description><![CDATA[Walter G. Gould (1829-1893), signed lower left
After John Neagle
Circa 1845
Oil on canvas
27" W; 34" H

&#160;

This painting is a fine copy of a portrait of the noted American statesman painted from life by John Neagle (American, 1799-1865) in 1843. Neagle's original painting is in the collection of the Union League of Philadelphia, and an autograph copy is in the U.S. Capitol Building. Yet another larger copy made in 1852 by Ambrose Andrews resides in Clay's estate, Ashland, in Lexington, Kentucky. In this smaller painting made after Neagle's composition, Gould skillfully captures all the nuances of Neagle's original, notably the remarkable expression in the mouth.

&#160;

Both Neagle and Gould were natives of Philadelphia and two of the most respected portraitists of their day. At an early age, Gould studied with the landscape painter John Rowson Smith and the portraitist, Thomas Sully. At age 15, he exhibited at the Pennsylvania Academy. This portrait was completed before Gould reached the age of 20 because in that year, 1849, Gould left America for Europe, soon settling in Florence. He built a considerable artistic reputation in Europe as a painter of Orientalist subjects, which were prized both for their originality of design and skillful coloration and draftsmanship. His American portrait work is quite rare since most of these pictures which he housed in Fredericksburg, Virginia, were destroyed in the Civil War. This powerful painting demonstrates his skill at its best.

&#160;

<strong>Why we love it: </strong>The most iconic image of The Great Compromiser. Without him, the Civil War would have happened a lot earlier.

&#160;

Price: $18000]]></description>
				<content:encoded><![CDATA[Walter G. Gould (1829-1893), signed lower left
After John Neagle
Circa 1845
Oil on canvas
27" W; 34" H

&#160;

This painting is a fine copy of a portrait of the noted American statesman painted from life by John Neagle (American, 1799-1865) in 1843. Neagle's original painting is in the collection of the Union League of Philadelphia, and an autograph copy is in the U.S. Capitol Building. Yet another larger copy made in 1852 by Ambrose Andrews resides in Clay's estate, Ashland, in Lexington, Kentucky. In this smaller painting made after Neagle's composition, Gould skillfully captures all the nuances of Neagle's original, notably the remarkable expression in the mouth.

&#160;

Both Neagle and Gould were natives of Philadelphia and two of the most respected portraitists of their day. At an early age, Gould studied with the landscape painter John Rowson Smith and the portraitist, Thomas Sully. At age 15, he exhibited at the Pennsylvania Academy. This portrait was completed before Gould reached the age of 20 because in that year, 1849, Gould left America for Europe, soon settling in Florence. He built a considerable artistic reputation in Europe as a painter of Orientalist subjects, which were prized both for their originality of design and skillful coloration and draftsmanship. His American portrait work is quite rare since most of these pictures which he housed in Fredericksburg, Virginia, were destroyed in the Civil War. This powerful painting demonstrates his skill at its best.

&#160;

<strong>Why we love it: </strong>The most iconic image of The Great Compromiser. Without him, the Civil War would have happened a lot earlier.

&#160;

Price: $18000]]></content:encoded>
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		</item>
		<item>
		<title>Going for an Afternoon Ride</title>
		<link>https://thistleamericana.com/inventory/paintings/going-for-an-afternoon-ride/</link>
		<comments>https://thistleamericana.com/inventory/paintings/going-for-an-afternoon-ride/#comments</comments>
		<pubDate>Fri, 04 Mar 2022 21:56:34 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=18644</guid>
		<description><![CDATA[American

Circa 1880

Oil on Canvas

36" H x 43" W

&#160;

Folk paintings captures the imagination. This painting depicts a couple about to go on an afternoon ride. It is the middle of summer, the horses are tacked, the groom is holding them steady, and the flowers are in bloom. It sounds like an ideal day. If you notice there are little comical features all around including a figure on the fountain holding a dolphin that appears more life like. the intricacy of the doorway and the dandy about to ride really creates a wonderful atmosphere.

&#160;

This painting is mounted on a hand-hewn carved stretcher, this pieces was most certainly painted by an itinerant artist who also had a general sense of draftsmanship as indicated by the form and proportions of the horse and figures.

&#160;

WHY WE LOVE IT: It is hard to find large scale folk art painting with this much going on. It really is the whole package depicting a wonderful afternoon.

&#160;

Price: $7200]]></description>
				<content:encoded><![CDATA[American

Circa 1880

Oil on Canvas

36" H x 43" W

&#160;

Folk paintings captures the imagination. This painting depicts a couple about to go on an afternoon ride. It is the middle of summer, the horses are tacked, the groom is holding them steady, and the flowers are in bloom. It sounds like an ideal day. If you notice there are little comical features all around including a figure on the fountain holding a dolphin that appears more life like. the intricacy of the doorway and the dandy about to ride really creates a wonderful atmosphere.

&#160;

This painting is mounted on a hand-hewn carved stretcher, this pieces was most certainly painted by an itinerant artist who also had a general sense of draftsmanship as indicated by the form and proportions of the horse and figures.

&#160;

WHY WE LOVE IT: It is hard to find large scale folk art painting with this much going on. It really is the whole package depicting a wonderful afternoon.

&#160;

Price: $7200]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Harry Lathrop Driven by Dan Mace</title>
		<link>https://thistleamericana.com/inventory/paintings/harry-lathrop-driven-by-dan-mace/</link>
		<comments>https://thistleamericana.com/inventory/paintings/harry-lathrop-driven-by-dan-mace/#comments</comments>
		<pubDate>Mon, 21 Mar 2022 16:45:20 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=18636</guid>
		<description><![CDATA[By John McAuliffe (1830-1900)

American

Circa 1860

Oil on Canvas

31 1/2 " H x 41 1/2" W

&#160;

This painting depicts the horse, Henry, running a 2.20 1/4. He was by Harry Lathrop, son of Blood's Black Hawk and driven by Dan Mace.

&#160;

Dan Mace (1833-185) was one of the most celebrated drives of the mid-19th century. Known as the 'wizard of the reins' he was always a favorite at the track. he was the famous driver of Ethan Allen and set many records throughout the 19th century.

&#160;

Artist bio:

John McAulliffe was a well known painter of horses.  He was born in Ireland.  He came to this country in 1847, and had always resided in this city.  He was originally a house painter, but, as he had a natural gift for drawing and painting horses, he soon took to that as a business.  He painted extensively for the later Robert Bonner, Commodore Dickinson, Col. Kipp, Sheppard Knapp, Gabe Case, and Mesrs. Wakeman, Hammond, and others.

&#160;

WHY WE LOVE IT: There is so much action in this painting. From the horse's stride to the look of panic on the driver's face at the sheer speed of the horse.

&#160;

Price: $8500]]></description>
				<content:encoded><![CDATA[By John McAuliffe (1830-1900)

American

Circa 1860

Oil on Canvas

31 1/2 " H x 41 1/2" W

&#160;

This painting depicts the horse, Henry, running a 2.20 1/4. He was by Harry Lathrop, son of Blood's Black Hawk and driven by Dan Mace.

&#160;

Dan Mace (1833-185) was one of the most celebrated drives of the mid-19th century. Known as the 'wizard of the reins' he was always a favorite at the track. he was the famous driver of Ethan Allen and set many records throughout the 19th century.

&#160;

Artist bio:

John McAulliffe was a well known painter of horses.  He was born in Ireland.  He came to this country in 1847, and had always resided in this city.  He was originally a house painter, but, as he had a natural gift for drawing and painting horses, he soon took to that as a business.  He painted extensively for the later Robert Bonner, Commodore Dickinson, Col. Kipp, Sheppard Knapp, Gabe Case, and Mesrs. Wakeman, Hammond, and others.

&#160;

WHY WE LOVE IT: There is so much action in this painting. From the horse's stride to the look of panic on the driver's face at the sheer speed of the horse.

&#160;

Price: $8500]]></content:encoded>
			<wfw:commentRss>https://thistleamericana.com/inventory/paintings/harry-lathrop-driven-by-dan-mace/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Boy on a Dressage Horse</title>
		<link>https://thistleamericana.com/inventory/paintings/boy-who-bit-off-too-much/</link>
		<comments>https://thistleamericana.com/inventory/paintings/boy-who-bit-off-too-much/#comments</comments>
		<pubDate>Wed, 09 Feb 2022 16:41:26 +0000</pubDate>
		<dc:creator><![CDATA[Taylor Thistlethwaite]]></dc:creator>
		
		<guid isPermaLink="false">https://thistleamericana.com/?post_type=product&#038;p=18668</guid>
		<description><![CDATA[Dutch

Circa 1830

Watercolor

14 1/2" H x 16 3/4" W

This charming watercolor depicts a young boy on the back of a spirited horse. His expression shows that his mount is completely in charge. The painting is signed on the reverse by a name we cannot read but indicate the picture is probably dutch.<span class="Apple-converted-space"> </span>

&#160;

WHY WE LOVE IT: Both the horse and the boy depict great attitude and this is the perfect small painting for any hunt country house.

&#160;

Price: $3800]]></description>
				<content:encoded><![CDATA[Dutch

Circa 1830

Watercolor

14 1/2" H x 16 3/4" W

This charming watercolor depicts a young boy on the back of a spirited horse. His expression shows that his mount is completely in charge. The painting is signed on the reverse by a name we cannot read but indicate the picture is probably dutch.<span class="Apple-converted-space"> </span>

&#160;

WHY WE LOVE IT: Both the horse and the boy depict great attitude and this is the perfect small painting for any hunt country house.

&#160;

Price: $3800]]></content:encoded>
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		<slash:comments>0</slash:comments>
		</item>
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